|
|
|
|
RME HDSP MADI
24 Bit / 96 kHz, 2 x 64-channel PCI Card
|
|
Fake Price...................................
$1,895.00
Real Price...............
$1,495.00
Status: Usually Ships Same or Next Business Day
|
|
RME The HDSP
MADI Description
The Hammerfall DSP
MADI is RMEs both inexpensive and outstanding PCI card with
MADI interface. Hammerfall DSP MADI is based on the award-winning Hammerfall
DSP technology, and represents the top model of this world-wide successful card
line.
The PCI
card consequently uses all advantages of the MADI format: MADI, the
professionals' multi-Channel audio interface, offers 64 channels of 24-Bit
audio at a sample rate of up to 48 kHz and 32 channels at up to 96 kHz.
Transmission is done via a single line, either coaxial with BNC plugs or with
fiber cable. In both cases more than 100 m cable length can be achieved.
HDSP MADI
is fully compatible to all devices with MADI interface. In combination with the
ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and
performance. With the ADI-6432 a bidirectional AES/EBU frontend with 64
channels is available.
On a
powerful PC/Mac two HDSP MADI
can be used in a combination, providing 128 inputs and 128 outputs on a single
workstation simultaneously.
RME The HDSP
MADI Features
Hammerfall
DSP MADI offers full support for 56 and 64 channel modes and double and single
wire technology (96k frame) for 96 kHz. Full 64 channel support can also be
found in the hardware mixer TotalMix. All 64 inputs and 64 playback channels
can be routed and mixed to 64 physical outputs completely freely, which
translates to a 8192 channel mixer. With that, Hammerfall DSP
MADI offers
the most powerful router/mixer ever implemented on a PCI card, and allows much
more than a usage as pure computer I/O unit:
MADI
optical patchbay and router
MADI
coaxial/optical or vice versa converter and splitter
MADI
redistributor, patchbay and router
TotalMix
can be completely remote controlled via
MIDI. Furthermore, the hardware delivers
RMS and peak level meters for full control over 192 audio channels at minimal
CPU load.
While most
MADI-based devices require an additional word clock or AES line, the Hammerfall
DSP MADI (like the ADI-648) uses SteadyClock(TM) to extract the
reference clock at lowest jitter directly from the MADI signal, making
long-distance connections even more convenient.
As usual
with RME, Hammerfall DSP MADI offers further sensible features. For instance an
analog 24-Bit/96kHz line/headphone output with 110 dB dynamic range for direct
control of all input and output signals.
The
included expansion board carries word clock I/O (BNC) and MIDI I/O. The word
clock input is galvanically isolated via transformer and operates on both
single and double speed signals automatically. MIDI I/O offers two completely
independent
MIDI inputs and outputs via breakout
cable (4 DIN sockets). A virtual
MIDI port allows for a direct transmission of
MIDI data over MADI.
For the
first time, RME uses a configuration memory for the most important settings of
the card. Instead of operating in a default mode on computer power-up until
loading the driver, Hammerfall DSP MADI activates the last used sample rate,
master/slave configuration and MADI format immediately when switched on. This
eliminates disturbing noises and clock network problems during power-up or
re-boot of the computer.
Included
software:
DIGICheck for Windows: Spectral Analyser, professional
level meter for 2, 8, or 64 channels, Vector Audio Scope, various other audio
analysis tools.
Drivers: Windows 2000/XP/Vista/64 (full ASIO
multi-client operation of MME, GSIF 2.0 and ASIO 2.0, WDM), Mac OS X (Core
Audio and Core MIDI).
RME The HDSP
MADI Settings Dialog
Just click
on the hammer symbol in the systray of the taskbar and the settings dialog of
the HDSP MADI comes up. The clear structured, easy to understand window plus
the unique informative status windows for input signal, clock mode and sample
rate make your work with Hammerfall DSP to a real pleasure.
When
working with several digital sources it is not only necessary to know if these
are properly locked, but also if they are totally synchronized. RME's exclusive
SyncCheck checks all input signals. In clock mode Master the synchronous
operation to the internal clock is checked. This outstanding and unique
technology helps to find errors immediately. The actual state of each input is
displayed in the settings dialog. ® checks all input signals and displays their
actual state, and thanks to our new Intelligent Clock Control (ICC) Intelligent
Clock Control (ICC) concept you have all clocks and states under control - with
ease.
SteadyClock(TM),
RMEs unique sync and clock technology allows the HDSP MADI to control the
sample rate freely on its own. The settings dialog includes a direct choice of
the video and audio world's most often used sample rates. Additionally, two
faders can be used to set the sample rate freely and in real-time, within the
range of +/- 4% and +/- 0.4%.
Up to 3
HDSP MADI and HDSPe AES can be used simultaneously. With this up to 192 inputs
and 192 outputs are available at 48 kHz, 96 inputs and 96 outputs at 96 kHz.
RME The HDSP
MADI Tech Specifications
- 8 buffer sizes/latencies available: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms
- ASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 128 channels!
- All settings
changeable in real-time
- Clock modes slave
and master
- Automatic and
intelligent master/slave clock control
- Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct
Monitoring
- Sync sources:
MADI coaxial, MADI optical, word clock, internal
- Varipitch: by
input signal or word clock
- Sample rates:
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
- Sample rate range:
MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz
- Jitter: < 1
ns, internal and all inputs
- Jitter sensitivity:
PLL operates even at 100 ns Jitter without problems
- Comes with DIGICheck: the ultimate measurement, analysis and test tool
- Input MADI
optical, MADI coaxial (BNC), 2 x
MIDI, word clock (BNC)
- Output MADI
optical, MADI coaxial (BNC), 2 x
MIDI, word clock (BNC), stereo analog line/phones
- Input Word Clock:
BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal),
switchable termination
- Output Word Clock:
BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
-
MIDI input and output: via four 5-pin DIN jacks
RME The HDSP
MADI Connectivity
- 64 Input
channels / 64 Output channels
- 1 x MADI
I/O (optical and coaxial)
- 2 x
MIDI I/O
- Stereo
Analog Out
- Word Clock
I/O
- RME Remote
- TotalMix
RME The HDSP
MADI Accessories
-
MIDI breakout cable (BOHDSP9652MIDI)
- ONK1: MADI Optical Network Cable, 1 m
- ONK3: MADI Optical Network Cable, 3 m
- ONK6: MADI Optical Network Cable, 6 m
- ONK10: MADI Optical Network Cable, 10 m
- ONK20: MADI Optical Network Cable, 20 m
|
RME Products Review / See
All ZenPro Audio Reviews Here: Review Page
I have used RME PCI cards and
breakout boxes and converters over the years, and have never seen an issue with
reliability or stability. Overall I think the most stable PC drivers in the
industry would have to have RME among them: I mean this stuff just works…and
works…and works. As Vince from Sham-Wow says, “you know the Germans make good
stuff”. In this case I would certainly say it is proven true.
Digital connectivity is never easier
than choosing the right RME product, from ADAT to SPDIF to AES to TOSLINK to
MADI to Wordclock, they really have it all. Latency is virtually non-existent
thanks to ultra low latency drivers and on board DSP power that takes the load
off your computer. “Totalmix”, RME’s internal routing matrix is INCREDIBLE. It
took me a while to wrap my brain around it but once I did, I realized I can
send anything anywhere at anytime with no noticeable latency at all. Multiple
headphone mixes and splits? No problem, RME is on it with Totalmix.
The “Steadyclock” wordclock
technology is also just awesome stuff. I have witnessed this clock snap those 1’s
and 0’s in line on many a device and it always made an improvement when it was
the master. Many RME devices have Steadyclock as standard, it can make a real
difference. The A/D and D/A conversion of RME is clean and neutral for the most
part, not huge or small or anywhere in between, but pretty true to the source
overall. An RME converter will never get in the way of a good recording.
Conclusion: No matter the connection
you need to make, RME has it covered. My personal experience has been glitch
free and for that reason I am proud to be an authorized RME dealer.
|
|
|
|
|