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Peluso P67
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Fake Price: $2,310.00
Real Price: $1,963.50
Usually Ships Same or Next Business Day ?
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Peluso P67 Tube Condenser Microphone Description
The Peluso P-67 is an accurate recreation of
the U 67 - it
was created using accurate response charts of new 67's
done in the
60's. The P-67 has a similar 9-pattern remote switching
capability
as that of the M 269. The P-67 is a highly functional and
fantastic
sounding microphone. So, if you've wanted to get closer to
the sound
classic albums of the late 60's and early 70's, the P-67
can be
considered a sensible candidate (both in price and
performance)
.
It has a 34 mm gold-sputtered diaphragm and a
multi-pattern
pickup. The microphone comes as a complete system, with Microphone
in Wooden
Box, Power Supply, New-style 8-Pin Screw on Cable
Assembly, and
Shock Mount, all in a Flight Case.
Made in the USA.
Peluso P67 Tube
Condenser Microphone Technical Data
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Type: Condenser Pressure Gradient w/ 34mm capsule
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Frequency Range: 20Hz/20Khz
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Polar Pattern: 9 - Switchable from omni- to bi-directional
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Sensitivity: 18 mv/pa
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Impedance: 200 ohms
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SPL: 148 db with 10 db pad engaged
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Equivalent Noise: 14 db (A-weighted)
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Tube Type: EF95 (6AK5, 6J1, 5654)
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Power Requirements: Dedicated Power Supply
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Size: 56mm x 205 mm
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Weight: 600 g
3 Way Mod Explained:
The ZenPro "3 Way" mod provides internal switching for 3 tonal varieties
on the P67. You can choose between "Bright", "Normal" and "Dark" modes.
We are currently offering this mod at no additional charge, only at
ZenPro Audio. Check out the Clip-A-Lator below to hear these settings
compared on male vocals and acoustic guitar.
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Reviews From Reviewing Reviewers Say:
| (1 Rating, 1 Review) |
Average Rating:
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Peluso P67
Milan Bertosa
(Honolulu, HI)
8/15/2010 3:00 AM
This mic is an incredibly useful tool! Whether or not it's "exactly" like any given Neumann U67, I will leave to those who have time to debate on internet forums.
I will however,say this: having had the opportunity to extensively use and compare 14 of 20 beautifully maintained Neumann U67s at Sony Studios in Tokyo this spring, we found that (surprise!) no two sounded exactly alike. They all sounded wonderful, though, except where they were the wrong mic choice for a given source.
Coming home to a fresh Peluso P67, I fired it up, and tried it in many session situations over the next couple months only to have it behave like a mic that sounds very very much like a U67. So much so, that punching in on previously recorded U67 tracks was a breeze, requiring only slight adjustments in eq or placement to get a perfect match.
The Zen mod is very useful, as the "bright" setting puts it into the tonal territory that I so love m269s for. Thank you Mr. Dent!
One final observation which may mean nothing to anyone but me: The Peluso P67 sounds bad on the same sources the Neumann U67 did.
The only thing wrong with the Peluso P67 is that I now need at least one more....
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