Daking FET Compressor II

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Daking Mic Fet II Compressor Description

All discrete transistor circuitry transformer balanced inputs and outputs


Class "A" amplifiers.


All discrete transistor circuitry


Transformer balanced inputs and output


Class "A" amplifiers


All parameters switch selectable & repeatable


Threshold adjustable from - 10 to +10 in 2dB steps


Ratios: 1.5:1 2:1, 3:1, 5:1, 10:1 and 20:1


Attack 250 microseconds to 63 milliseconds


Seven release time constants;

a: .5

b: 1

c: 1.5

d: Neve 33609 Auto

e: A&D Compex Auto

f: Fairchild 670 #5

g: Fairchild 670 #6


Make up gain: 0 to 11dB in 1db steps


Three function VU Meter:


Input/Output/Gain Reduction


Two Inputs:

A. XLR +4dbm transformer balanced

B. 1/4 TRS - 10dB transformer balanced


Stainless steel construction

HEAR THE DAKING FET II & FET 3

 DAKING FET II
BYPASS
 DAKING FET 3
BYPASS
 DRUMS  DRUMS  DRUMS  DRUMS
  BASS   BASS   BASS   BASS
  MALE VOC
  MALE VOC  MALE VOC   MALE VOC
  FEMALE VOC   FEMALE VOC  FEMALE VOC   FEMALE VOC
  AC GTR
 AC GTR AC GTR   AC GTR
  CELLO  CELLO   CELLO   CELLO
 MIX DUAL MONO
  MIX DUAL MONO MIX DUAL MONO  MIX DUAL MONO  
  MIX LINKED N/A  MIX LINKED     N/A
N/A N/A MIX W/ HPF IN
N/A

***FILES ARE FOR ZENPRO AUDIO CUSTOMER'S PRIVATE USE ONLY AND ARE NOT TO BE DISTRIBUTED OR RE-POSTED ELSEWHERE***


You can right click and "save as", then load these files into your DAW and listen in your control room.

Files are pre-recorded and offered here in 320k (highest) mp3 in bypass and compressed form. All cabling is Mogami, conversion done via SSL Alpha Link MADI AX / Rain Recording Element PC / Nuendo 4, monitored on ADAM P33A / Manley ML10A, mp3 processed in WaveLab 6.

Quick Test Notes:

  • Female Voc, Ac Gtr and Cello performed by i-nine and work together as a song piece
  • Stereo Buss features Damn. The Sun
  • Drums, Bass and Male Vocals by The Thirsties
Settings are matched as closely as I could by ear so that a fair comparison of the units could be presented to you. Some files are pushed to the extreme to hear the effects of compression more. The FET II utilizes switching vs the variable pots of the FET 3, so typically I started with the FET II when dialing it in, then matching it with the FET 3 each time. I offer bypass versions of each clip as well.


Daking FET II Compressor Review / See All ZenPro Audio Reviews Here: Review Page

 

Lightning quick (attack time of 250 microseconds, not milliseconds!), capable of large amounts of gain reduction without imposing its own tone on things too much, the FET II is one of those “control it and stay out of my way” compressors that does its job and does it well. It’s capable of that fast 1176 style of control, but also gives you the option of slowing the attack down a lot (63ms, compared to the 1176 which reports its slowest attack time at .8ms!) as well as the release (.5 to 1.5 secs, compared to the 1176 50ms to 1.1 secs) as well as offering unique release modes that Daking claims are modeled after classic Neve, A&D and Fairchild compressor limiters (of which I cannot personally testify to their accuracy).

 

The FET II is one of the few compressors that do everything at least well. It has that classic Daking “clean but with vibe” sound to it concerning the tone it outputs. It can pound a drum kit into the ground without thinking twice, or gently control a vocal, or just about anything in between. Every single setting is a switch, so it’s also 100% repeatable for recall later. It can do very obvious and driven sounds if pushed, but you really have to push it before it gets into artifacts. On 2 buss a linked pair certainly gives great control with the 1.5:1 or 2:1 ratio without too much squish.

 

Conclusion: Fast, clean with light character, and versatility make the FET II a great reach for total control. It will flat out reign in the dynamic range and do its best to stay out of the way, but the artifacts you do hear are pleasing in that classic Daking way.

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