|
|
View Larger Image
|
|
CAD Trion 7000 |
|
Fake Price: $379.00
Real Price: $279.00
Usually Ships Same or Next Business Day ?
FREE / Upgrade Cable Option:
|


|
CAD Professional Microphones Trion 7000 Description
Thick and rich, the dual ribbon "rounds out" guitar stacks, brass, and woodwinds. A narrow strip of ultra thin aluminum suspended in a magnetic field oscillates symbiotically with your sound source. Electrical current is the result. We use two ribbons for added sensitivity. Experience classic ribbon vocal sound. Elastic shock mount and metal travel case are included.
CAD Professional Microphones Trion 7000 Applications
Studio Vocals, Voice-over, Acoustic Instrument, Brass, Guitar Cabinets, Strings, Piano.
CAD Professional Microphones Trion 7000 Specifications
- Operating Principle: Moving ribbon dynamic
- Polar Pattern: Figure-of-eight
- Frequency Response: 25Hz to 9KHz
- Sensitivity: -53dBV (2.2mV) @ 1 Pa
- Impedance: 940 ohms
|
CAD Trion 7000 Review /
See All ZenPro Audio Reviews Here: Review Page
Utilizing a dual ribbon element to
increase output and sensitivity, the Trion 7000 does put out somewhat hotter
than other ribbons I’ve used but don’t expect double! It’s a very cool looking
mic for sure, with that spherical headbasket it’s a very attractive way to
finish it off. Again, the Trion series finish almost has this rubber coated
feel to the finish that is unique. A spider style shock mount and case are
included.
The Trion 7000 is one of those “smooths
everything out” sounding ribbons, a very round sound is had with it. I really
like it on voice in particular for a dark smooth response, but it is
interesting to twist it off axis a bit and further change the sound of the mic
which I liked slightly off axis on more than one voice. On guitar cabs, it’s
not a mic that delivers “bite” much so bright cabs benefit nicely from the
7000. Drums and things will require a fair amount of high EQ boost, but like
most ribbons the Trion 7000 takes EQ pretty darn well. The dual element at
times can have a slight ‘phase-y’ sound to it in the upper frequencies, due to
slightly different arrival times from off axis sounds.
Proximity
effect is pretty big with the 7000, you would not stick it right on a guitar
cab as it would need a little space to prevent woofy, so working the distance
is key.
Conclusion: A dark ribbon with the
smoothed over transient sound, perfect for taking the edge off of bright
sources (have not tried on horns but I would definitely try it there). On voice
it had a sound I really liked, and I did think it could get a little more
interesting off axis a bit.
|
|
|
|
|