|
|
Audio-Technica AT4047/SV Description
The rich, warm sound takes you back to the classic F.E.T. studio microphones.
But there’s nothing remotely old-fashioned about the technology behind that
vintage sound. The AT4047/SV studio condenser’s dual-diaphragm capsule design
maintains precise polar pattern definition across the full frequency range.
With a wide dynamic range, incredibly low self-noise and high SPL capability,
this versatile microphone excels on vocals, strings, acoustic guitar,
instrument ensembles, small vocal groups and voiceovers.
AT4047/SV. It’s another in a venerable line of studio artists’ dreams come
true: the 40 Series, from Audio-Technica.
Audio-Technica AT4047/SV Features
- Designed
for critical studio, live sound and broadcast applications
- Transformer-coupled
output and specially-tuned element provide sonic characteristics reminiscent of
early F.E.T. studio microphone designs
- Exceptionally
low self-noise, wide dynamic range and high SPL capability
- Dual-diaphragm
capsule design maintains precise polar pattern definition across the full
frequency range of the microphone
- Precision-machined,
nickel-plated brass, acoustic element baffle provides enhanced element
stability and optimal sensitivity
- Vintage
silver-matte finish on microphone and shock mount
- Open
acoustical environment of the symmetrical housing assembly minimizes unwanted
internal reflections
- State-of-the-art
surface-mount electronics ensure compliance with A-T's stringent consistency
and reliability standards
- Switchable
80 Hz hi-pass filter and 10 dB pad
- Custom
shock mount provides superior isolation
|
Audio Technica AT4047 Review /
See
All ZenPro Audio Reviews Here: Review Page
AT’s version of the “FET 47” from
Neumann (long discontinued), this mic really has a unique sound and is a strong
offering in the sub $1000 price range. No I don’t have an original around to
compare with, but I’ve used the AT4047 a number of times and can tell you it is
a smooth and unique sound. Cardioid patterned with pad and hi-pass filtering, the
AT4047 also ships with a shock mount.
This mic sounds like it has an
output transformer! It has this sheen to it that is at least partially coming
from it, a very pleasant sheen also. It’s like there’s this slightly dark yet
shimmer thing happening on the top end that is subtle but vibe-y. The midrange
is forward and smooth, upper mids aren’t overly pronounced so sibilance with
vocals is not normally an issue here. On guitar cabs, drums for a somewhat
darker sound, voice and acoustic instruments, the AT4047 is a vibe mic for sure
but it works at least well on most things. The low end is well suited for bass
instruments as it’s not overly accented, but reaches deep.
Conclusion: A specific sounding mic
that happens to work well on lots of sources. Don’t expect air or uber detail,
but the AT4047 delivers some vibe and a strong midrange response that is
unique.
|
|
|
|
|