|
|
Audio-Technica AT4033/CL Description
The classic edition of the legendary AT4033 microphone, the side-address
AT4033/CL offers low-noise, symmetrical, transformerless circuitry that results
in exceptional transient response and clean output signals. A studio classic
and bluegrass favorite, the AT4033/CL cardioid studio condenser is the
microphone that broke the US$1000-barrier in its class. A strong up-front
presence characterizes the sonic signature of this 40 Series pro-audio classic.
The AT4033/CL’s 80Hz high-pass filter easily switches between flat frequency
response and a low-end roll-off that diminishes ambient noise and popping with
closely-miked vocals.
Audio-Technica AT4033/CL Features
-
Transformerless circuitry virtually eliminates low-frequency distortion and
provides superior correlation of high-speed transients
- Precision-machined,
nickel-plated brass, acoustic element baffle provides enhanced element
stability and optimal sensitivity
- The
2-micron-thick, vapor-deposited gold diaphragm undergoes a five-step aging
process so that the optimum characteristics achieved remain constant over years
of use
- Floating-construction
capsule assembly provides isolation from noise and vibration
- Open
acoustical environment of the symmetrical housing assembly minimizes unwanted
internal reflections
- State-of-the-art
surface-mount electronics ensure compliance with A-T's stringent consistency
and reliability standards
- Custom
shock mount provides superior isolation
|
Audio Technica AT4033 Review /
See
All ZenPro Audio Reviews Here: Review Page
The 4033 was the first mic to break
the under $1000 price barrier many years ago, and is still in production today.
I have personally owned one for years, and find it to be a very decent
condenser mic. The build quality is excellent, and the 2 micron (thin!) capsule
delivers a very detailed sound for sure. There is a pad and hi-pass filter on
board and it comes with a shock mount.
On acoustic guitar I think the 4033
is a great large diaphragm condenser. It delivers air and sparkle, and the pick
/ strum sound has a great presence to it and it delivers the metal and wood of
the instrument nicely. Very full bodied, strong low end response and a full
midrange, the upper mids definitely rise to bring a full presence to
recordings. I’ve had some success with the 4033 on guitar cabs as well. For
most voices, the 4033 seemed a bit nasal sounding and I shy away from it on
vocal tracking. For background vocals however, its wide cardioid pattern and
presence to cut through the mix are desired.
Conclusion:
Bluegrass guys like this mic for its great
delivery of acoustic sources. Makes a great stage mic or room mic for small
acoustic ensembles and you’ll find the 4033 front and center in these
applications in Nashville and other areas. Recommended for acoustic sources and
background vocals that need some cut and detail.
|
|
|
|
|